
Hipbounce
- BPM
- 239
- Half-time
- 120
- Open Key
- 8d
- Energy
- 93/100
- Pop
- 0/100
- Length
- 5:37
- Released
- 2016
- Genre
- Uk Garage
- Loudness
- -9.2 dB
- ISRC
- GBSZM1600405
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Hipbounce runs 239 BPM in D♭ major (3B), an uk garage record. The groove is loose and less beat-driven. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. Faster than 99% of Zed Bias's catalogue.
- Reach:
- more underground than 99% of Zed Bias's catalogue
- Groove:
- less groove-driven than 97% of Zed Bias's catalogue
- Energy:
- hotter than 88% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hipbounce in?
Hipbounce by Zed Bias is in D♭ major, or 3B on the Camelot wheel.
What BPM is Hipbounce?
Hipbounce runs at 239 BPM.
What mixes well with Hipbounce?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Hipbounce good for peak time?
With energy 93 out of 100 at 239 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 239 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 225-253 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 239 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 239 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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