Everyting Dere by Zed Bias cover art

Everyting Dere

Zed Bias

30s preview

Key
10A · B minor
BPM
121
Open Key
3m
Energy
86/100
Pop
0/100
Length
4:06
Released
2022
Genre
Uk Garage
Loudness
-4.3 dB
Dynamics
11.5 dB
ISRC
UKXN22221252

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 121 BPM in B minor (10A), Everyting Dere is a club-tempo uk garage production. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Groovier than 99% of Zed Bias's catalogue. In a set it works best as a floor-filler.

Reach:
more underground than 99% of Zed Bias's catalogue
Brightness:
brighter than 89% of Zed Bias's catalogue
Low end:
more treble-tilted than 86% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood84Bright
Groove91
Acoustic17
Instrumental0
Live13
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Everyting Dere in?

Everyting Dere by Zed Bias is in B minor, or 10A on the Camelot wheel.

What BPM is Everyting Dere?

Everyting Dere runs at 121 BPM, a club-tempo track.

What mixes well with Everyting Dere?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Everyting Dere good for peak time?

With energy 86 out of 100 at 121 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 121 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

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Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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