Dum Dum Cry - Rubber Dub Version
- BPM
- 116
- Open Key
- 4d
- Energy
- 87/100
- Pop
- 0/100
- Length
- 3:50
- Released
- 1987
- Album
- Alright Alright / Dum Dum Cry
- Genre
- House
- Loudness
- -5.2 dB
- ISRC
- GBCPZ8709954
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dum Dum Cry - Dum Club Versionoriginal1B · 116
- Dum Dum Cry - Dum Dub Beatsversion2B · 115
Against the original (1B at 116 BPM), this version holds the same tempo and moves the key from 1B to 11B.
Dum Dum Cry - Rubber Dub Version runs 116 BPM in A major (11B), a mid-tempo house record. The feel is bright and euphoric. It is vocal-led. A 1987 production that still circulates in sets. More underground than 99% of Masters At Work's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 95% of Masters At Work's catalogue
- Brightness:
- brighter than 92% of Masters At Work's catalogue
- Energy:
- hotter than 79% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dum Dum Cry - Rubber Dub Version in?
Dum Dum Cry - Rubber Dub Version by Masters At Work is in A major, or 11B on the Camelot wheel.
What BPM is Dum Dum Cry - Rubber Dub Version?
Dum Dum Cry - Rubber Dub Version runs at 116 BPM, a mid-tempo track.
What mixes well with Dum Dum Cry - Rubber Dub Version?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Dum Dum Cry - Rubber Dub Version good for peak time?
With energy 87 out of 100 at 116 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 116 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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