Dum Dum Cry - Dum Dub Beats
30s preview
- BPM
- 115
- Open Key
- 7d
- Energy
- 69/100
- Pop
- 0/100
- Length
- 1:37
- Released
- 1987
- Album
- Alright Alright / Dum Dum Cry
- Genre
- House
- Loudness
- -6.6 dB
- Dynamics
- 14.5 dB
- ISRC
- GBCPZ8709955
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dum Dum Cry - Dum Club Versionoriginal1B · 116
- Dum Dum Cry - Rubber Dub Versionversion11B · 116
Against the original (1B at 116 BPM), this version runs 1 BPM slower and moves the key from 1B to 2B.
At 115 BPM in F♯ major (2B), Dum Dum Cry - Dum Dub Beats is a mid-tempo house production. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). A 1987 production that still circulates in sets. More underground than 99% of Masters At Work's catalogue.
- Tempo:
- slower than 96% of Masters At Work's catalogue
- Brightness:
- brighter than 95% of Masters At Work's catalogue
- Groove:
- less groove-driven than 94% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Dum Dum Cry - Dum Dub Beats in?
Dum Dum Cry - Dum Dub Beats by Masters At Work is in F♯ major, or 2B on the Camelot wheel.
What BPM is Dum Dum Cry - Dum Dub Beats?
Dum Dum Cry - Dum Dub Beats runs at 115 BPM, a mid-tempo track.
What mixes well with Dum Dum Cry - Dum Dub Beats?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Dum Dum Cry - Dum Dub Beats good for peak time?
With energy 69 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 115 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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