Twin Cities
- BPM
- 116
- Open Key
- 5m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 12:18
- Released
- 2004
- Genre
- Deep House
- Loudness
- -10.1 dB
- ISRC
- FR48Z1200078
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 116 BPM in D♭ minor (12A), Twin Cities is a mid-tempo deep house production. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. More underground than 99% of Theo Parrish's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 98% of Theo Parrish's catalogue
- Brightness:
- darker than 98% of Theo Parrish's catalogue
- Energy:
- hotter than 87% of Theo Parrish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Twin Cities in?
Twin Cities by Theo Parrish is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Twin Cities?
Twin Cities runs at 116 BPM, a mid-tempo track.
What mixes well with Twin Cities?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Twin Cities good for peak time?
With energy 83 out of 100 at 116 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 116 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
More deep house
More from Theo Parrish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.