Disco Shake - G&D Remix
- BPM
- 116
- Open Key
- 5m
- Energy
- 78/100
- Pop
- 1/100
- Length
- 7:03
- Released
- 2014
- Album
- Disco Shake
- Genre
- Disco
- Loudness
- -12.7 dB
- ISRC
- IT00G1471353
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Disco Shake - Original Mixoriginal10A · 127
- Disco Shake - A Tom Moulton Mixoriginal10B · 127
- Disco Shake - Jkriv Remixremix10A · 122
- Disco Shake - Luminodisco Remixremix12A · 124
Against the original (10A at 127 BPM), this version runs 11 BPM slower and moves the key from 10A to 12A.
Disco Shake - G&D Remix: mid-tempo disco, D♭ minor (12A), 116 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Groovier than 87% of Dimitri From Paris's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 86% of Dimitri From Paris's catalogue
- Energy:
- calmer than 75% of Dimitri From Paris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Disco Shake - G&D Remix in?
Disco Shake - G&D Remix by Dimitri From Paris is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Disco Shake - G&D Remix?
Disco Shake - G&D Remix runs at 116 BPM, a mid-tempo track.
What mixes well with Disco Shake - G&D Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Disco Shake - G&D Remix good for peak time?
With energy 78 out of 100 at 116 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 116 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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