All Out (I'm Over You)
30s preview
- BPM
- 133
- Open Key
- 8m
- Energy
- 73/100
- Pop
- 4/100
- Length
- 4:13
- Released
- 2003
- Genre
- Uk Garage
- Loudness
- -10.5 dB
- Dynamics
- 12.6 dB
- ISRC
- GBF080300052
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo uk garage cut, All Out (I'm Over You) sits in B♭ minor (3A) at 133 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2003 production that still circulates in sets. More treble-tilted than 84% of MJ Cole's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is All Out (I'm Over You) in?
All Out (I'm Over You) by MJ Cole is in B♭ minor, or 3A on the Camelot wheel.
What BPM is All Out (I'm Over You)?
All Out (I'm Over You) runs at 133 BPM, a peak-time tempo track.
What mixes well with All Out (I'm Over You)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is All Out (I'm Over You) good for peak time?
With energy 73 out of 100 at 133 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 133 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More uk garage
More from MJ Cole
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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