Crush - Devin Townsend Remix
- BPM
- 174
- Half-time
- 87
- Open Key
- 4m
- Energy
- 92/100
- Pop
- 39/100
- Length
- 4:36
- Released
- 2018
- Album
- The Reworks
- Genre
- Drum N Bass
- Label
- ADA
- Loudness
- -4.4 dB
- ISRC
- UKNKE1800006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Crushoriginal10B · 174
- Crush - Radio Edit [Radio Edit]version12A · 174
Against the original (10B at 174 BPM), this version holds the same tempo and moves the key from 10B to 11A.
Crush - Devin Townsend Remix is a drum n bass track in F♯ minor (11A) at 174 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. A 2018 production that still circulates in sets. Less groove-driven than 87% of Pendulum's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- better known than 80% of Pendulum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Crush - Devin Townsend Remix in?
Crush - Devin Townsend Remix by Pendulum is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Crush - Devin Townsend Remix?
Crush - Devin Townsend Remix runs at 174 BPM.
What mixes well with Crush - Devin Townsend Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Crush - Devin Townsend Remix good for peak time?
With energy 92 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 174 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
![Niton [The Reason] - Sigma Remix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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