![Crush - Radio Edit [Radio Edit] by Pendulum cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6db74d0470808d83078a.webp)
Crush - Radio Edit [Radio Edit]
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 5m
- Energy
- 95/100
- Pop
- 31/100
- Length
- 3:23
- Released
- 2011
- Album
- Crush (Radio Edit)
- Genre
- Drum N Bass
- Loudness
- -4.0 dB
- Dynamics
- 10.6 dB
- ISRC
- GBAHT1000282
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Crushoriginal10B · 174
- Crush - Devin Townsend Remixremix11A · 174
Against the original (10B at 174 BPM), this version holds the same tempo and moves the key from 10B to 12A.
A drum n bass cut, Crush - Radio Edit [Radio Edit] sits in D♭ minor (12A) at 174 BPM. The feel is dark and driving. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2011 production that still circulates in sets. Less groove-driven than 79% of Pendulum's catalogue. In a set it works best as an opener or closing-set piece.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Crush - Radio Edit [Radio Edit] in?
Crush - Radio Edit [Radio Edit] by Pendulum is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Crush - Radio Edit [Radio Edit]?
Crush - Radio Edit [Radio Edit] runs at 174 BPM.
What mixes well with Crush - Radio Edit [Radio Edit]?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Crush - Radio Edit [Radio Edit] good for peak time?
With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 174 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Pendulum
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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