Coming Back
- BPM
- 174
- Half-time
- 87
- Open Key
- 3d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 4:54
- Released
- 2011
- Genre
- Drum N Bass
- Loudness
- -4.8 dB
- ISRC
- GBCJY1018402
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Coming Back: drum n bass, D major (10B), 174 BPM. The feel is dark and driving. It leans atmospheric over strictly danceable. The master is loud and heavily compressed. A 2011 production that still circulates in sets. More underground than 99% of Nu:Tone's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 90% of Nu:Tone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Coming Back in?
Coming Back by Nu:Tone is in D major, or 10B on the Camelot wheel.
What BPM is Coming Back?
Coming Back runs at 174 BPM.
What mixes well with Coming Back?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Coming Back good for peak time?
With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 174 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Nu:Tone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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