Where’s Your Head At - 1991 Remix
30s preview
- Key
- 8B · C major
- BPM
- 174
- Half-time
- 87
- Open Key
- 1d
- Energy
- 98/100
- Pop
- 42/100
- Length
- 3:37
- Released
- 2021
- Album
- Where’s Your Head At (1991 Remix)
- Genre
- Drum N Bass
- Loudness
- 0.2 dB
- Dynamics
- 7.8 dB
- ISRC
- GBBKS2000338
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Where’s Your Head At - 1991 Remix runs 174 BPM in C major (8B), a drum n bass record. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Less groove-driven than 86% of 1991's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- slower than 84% of 1991's catalogue
- Reach:
- better known than 79% of 1991's catalogue
- Energy:
- hotter than 75% of 1991's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Where’s Your Head At - 1991 Remix in?
Where’s Your Head At - 1991 Remix by 1991 is in C major, or 8B on the Camelot wheel.
What BPM is Where’s Your Head At - 1991 Remix?
Where’s Your Head At - 1991 Remix runs at 174 BPM.
What mixes well with Where’s Your Head At - 1991 Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Where’s Your Head At - 1991 Remix good for peak time?
With energy 98 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 174 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from 1991
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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