Long Stay by Optical cover art

Long Stay

Optical

30s preview

Key
3A · B♭ minor
BPM
174
Half-time
87
Open Key
8m
Energy
95/100
Pop
0/100
Length
5:09
Released
2015
Album
No Cure
Genre
Drum N Bass
Loudness
-3.1 dB
Dynamics
14.8 dB
ISRC
GBTKW1401309
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 174 BPM in B♭ minor (3A), Long Stay is a drum n bass production. Tonally it lands punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. More underground than 99% of Optical's catalogue. For programming, treat it as an opener or closing-set piece.

Groove:
groovier than 80% of Optical's catalogue
Brightness:
brighter than 76% of Optical's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood55Balanced
Groove68
Acoustic0
Instrumental2
Live18
Speech27

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Long Stay in?

Long Stay by Optical is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Long Stay?

Long Stay runs at 174 BPM.

What mixes well with Long Stay?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Long Stay good for peak time?

With energy 95 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Optical

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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