Nothing Left to Lose
30s preview
- Key
- 8B · C major
- BPM
- 115
- Open Key
- 1d
- Energy
- 97/100
- Pop
- 26/100
- Length
- 4:14
- Released
- 2022
- Genre
- Drum N Bass
- Loudness
- -4.2 dB
- Dynamics
- 18.1 dB
- ISRC
- GB2LD2210108
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A mid-tempo drum n bass cut, Nothing Left to Lose sits in C major (8B) at 115 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 18 dB). Slower than 99% of 1991's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 95% of 1991's catalogue
- Brightness:
- darker than 86% of 1991's catalogue
- Low end:
- more treble-tilted than 82% of 1991's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Nothing Left to Lose in?
Nothing Left to Lose by 1991 is in C major, or 8B on the Camelot wheel.
What BPM is Nothing Left to Lose?
Nothing Left to Lose runs at 115 BPM, a mid-tempo track.
What mixes well with Nothing Left to Lose?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Nothing Left to Lose good for peak time?
With energy 97 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 115 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More drum n bass
More from 1991
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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