Thinking About You
30s preview
- BPM
- 115
- Open Key
- 8d
- Energy
- 98/100
- Pop
- 18/100
- Length
- 3:44
- Released
- 2022
- Genre
- Drum N Bass
- Loudness
- -2.8 dB
- Dynamics
- 12.2 dB
- ISRC
- GB2LD2210110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Thinking About You is a mid-tempo drum n bass track in D♭ major (3B) at 115 BPM. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Slower than 99% of 1991's catalogue.
- Groove:
- less groove-driven than 88% of 1991's catalogue
- Energy:
- hotter than 82% of 1991's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Thinking About You in?
Thinking About You by 1991 is in D♭ major, or 3B on the Camelot wheel.
What BPM is Thinking About You?
Thinking About You runs at 115 BPM, a mid-tempo track.
What mixes well with Thinking About You?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Thinking About You good for peak time?
With energy 98 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 115 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More drum n bass
More from 1991
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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