
Our Time Will Come - Chase & Status Remix
30s preview
- BPM
- 116
- Open Key
- 8m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 4:30
- Released
- 2022
- Album
- Our Time Will Come (Chase & Status Remix)
- Genre
- Drum N Bass
- Loudness
- -2.6 dB
- Dynamics
- 12.6 dB
- ISRC
- GB5KW2204529
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Our Time Will Come - Chase & Status Remix runs 116 BPM in B♭ minor (3A), a mid-tempo drum n bass record. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Chase & Status's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 97% of Chase & Status's catalogue
- Brightness:
- darker than 94% of Chase & Status's catalogue
- Low end:
- more treble-tilted than 91% of Chase & Status's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Our Time Will Come - Chase & Status Remix in?
Our Time Will Come - Chase & Status Remix by Chase & Status is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Our Time Will Come - Chase & Status Remix?
Our Time Will Come - Chase & Status Remix runs at 116 BPM, a mid-tempo track.
What mixes well with Our Time Will Come - Chase & Status Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Our Time Will Come - Chase & Status Remix good for peak time?
With energy 96 out of 100 at 116 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 116 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
More drum n bass
More from Chase & Status
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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