My One (feat. Tory Lanez, Kranium & Dappy) - Danny Byrd Remix
30s preview
- BPM
- 117
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 7/100
- Length
- 3:23
- Released
- 2019
- Album
- My One (feat. Tory Lanez, Kranium & Dappy) [Danny Byrd Remix]
- Genre
- Drum N Bass
- Loudness
- -1.6 dB
- Dynamics
- 18.2 dB
- ISRC
- GBARL1901036
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
My One (feat. Tory Lanez, Kranium & Dappy) - Danny Byrd Remix is a mid-tempo drum n bass track in B minor (10A) at 117 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 18 dB). Groovier than 89% of Danny Byrd's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 85% of Danny Byrd's catalogue
- Tempo:
- slower than 78% of Danny Byrd's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is My One (feat. Tory Lanez, Kranium & Dappy) - Danny Byrd Remix in?
My One (feat. Tory Lanez, Kranium & Dappy) - Danny Byrd Remix by Danny Byrd is in B minor, or 10A on the Camelot wheel.
What BPM is My One (feat. Tory Lanez, Kranium & Dappy) - Danny Byrd Remix?
My One (feat. Tory Lanez, Kranium & Dappy) - Danny Byrd Remix runs at 117 BPM, a mid-tempo track.
What mixes well with My One (feat. Tory Lanez, Kranium & Dappy) - Danny Byrd Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is My One (feat. Tory Lanez, Kranium & Dappy) - Danny Byrd Remix good for peak time?
With energy 97 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 117 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More drum n bass
More from Danny Byrd
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.