Echoes In The Dance by Danny Byrd cover art

Echoes In The Dance

Danny Byrd

30s preview

Key
6A · G minor
BPM
112
Open Key
11m
Energy
86/100
Pop
0/100
Length
4:15
Released
2025
Genre
Drum N Bass
Loudness
-4.9 dB
Dynamics
11.3 dB
ISRC
GXFRF2510004

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Echoes In The Dance is a mid-tempo drum n bass track in G minor (6A) at 112 BPM. The groove is loose and less beat-driven. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Danny Byrd's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 98% of Danny Byrd's catalogue
Brightness:
darker than 94% of Danny Byrd's catalogue
Energy:
calmer than 86% of Danny Byrd's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood18Dark
Groove34
Acoustic1
Instrumental53
Live4
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Echoes In The Dance in?

Echoes In The Dance by Danny Byrd is in G minor, or 6A on the Camelot wheel.

What BPM is Echoes In The Dance?

Echoes In The Dance runs at 112 BPM, a mid-tempo track.

What mixes well with Echoes In The Dance?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Echoes In The Dance good for peak time?

With energy 86 out of 100 at 112 BPM, it works best as a mid-set roller.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#TrackKey·BPM

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 112 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 112 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Danny Byrd

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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