Who Hurt You
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 99/100
- Pop
- 26/100
- Length
- 3:56
- Released
- 2022
- Genre
- Drum N Bass
- Loudness
- -1.2 dB
- Dynamics
- 17.5 dB
- ISRC
- GB2LD2210112
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in F minor (4A), Who Hurt You is a club-tempo drum n bass production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 18 dB). More treble-tilted than 99% of 1991's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 95% of 1991's catalogue
- Energy:
- hotter than 88% of 1991's catalogue
- Brightness:
- brighter than 79% of 1991's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Who Hurt You in?
Who Hurt You by 1991 is in F minor, or 4A on the Camelot wheel.
What BPM is Who Hurt You?
Who Hurt You runs at 125 BPM, a club-tempo track.
What mixes well with Who Hurt You?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Who Hurt You good for peak time?
With energy 99 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More drum n bass
More from 1991
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.