Who Hurt You by 1991 cover art

Who Hurt You

1991

30s preview

Key
4A · F minor
BPM
125
Open Key
9m
Energy
99/100
Pop
26/100
Length
3:56
Released
2022
Genre
Drum N Bass
Loudness
-1.2 dB
Dynamics
17.5 dB
ISRC
GB2LD2210112

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 125 BPM in F minor (4A), Who Hurt You is a club-tempo drum n bass production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 18 dB). More treble-tilted than 99% of 1991's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
slower than 95% of 1991's catalogue
Energy:
hotter than 88% of 1991's catalogue
Brightness:
brighter than 79% of 1991's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood48Balanced
Groove52
Acoustic2
Instrumental90
Live15
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
23%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Who Hurt You in?

Who Hurt You by 1991 is in F minor, or 4A on the Camelot wheel.

What BPM is Who Hurt You?

Who Hurt You runs at 125 BPM, a club-tempo track.

What mixes well with Who Hurt You?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Who Hurt You good for peak time?

With energy 99 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More drum n bass

#TrackKey·BPM

More from 1991

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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