Rage Roll by Optical cover art

Rage Roll

Optical

30s preview

Key
4A · F minor
BPM
85
Double-time
170
Open Key
9m
Energy
72/100
Pop
2/100
Length
6:07
Released
1997
Genre
Drum N Bass
Loudness
-11.8 dB
Dynamics
18.0 dB
ISRC
GBAGN9700082

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Rage Roll: downtempo drum n bass, F minor (4A), 85 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 1997 production that still circulates in sets. Groovier than 99% of Optical's catalogue. In a set it works best as a floor-filler.

Tempo:
slower than 97% of Optical's catalogue
Energy:
calmer than 84% of Optical's catalogue
Low end:
more treble-tilted than 83% of Optical's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy72
Mood40Balanced
Groove88
Acoustic8
Instrumental94
Live12
Speech18

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
28%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Rage Roll in?

Rage Roll by Optical is in F minor, or 4A on the Camelot wheel.

What BPM is Rage Roll?

Rage Roll runs at 85 BPM, a downtempo track.

What mixes well with Rage Roll?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Rage Roll good for peak time?

With energy 72 out of 100 at 85 BPM, it works best as a floor-filler.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 85 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 80-90 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 85 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Optical

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 85 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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