These Are the Days by Bcee cover art

These Are the Days

Bcee

30s preview

Key
12B · E major
BPM
172
Half-time
86
Open Key
5d
Energy
77/100
Pop
21/100
Length
4:00
Released
2024
Genre
Drum N Bass
Loudness
-2.5 dB
Dynamics
12.8 dB
ISRC
GBRF52400029

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

These Are the Days runs 172 BPM in E major (12B), a drum n bass record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 89% of Bcee's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
calmer than 88% of Bcee's catalogue
Brightness:
darker than 87% of Bcee's catalogue
Tempo:
slower than 80% of Bcee's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood10Dark
Groove62
Acoustic0
Instrumental2
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is These Are the Days in?

These Are the Days by Bcee is in E major, or 12B on the Camelot wheel.

What BPM is These Are the Days?

These Are the Days runs at 172 BPM.

What mixes well with These Are the Days?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is These Are the Days good for peak time?

With energy 77 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#TrackKey·BPM

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 172 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Bcee

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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