Cry
30s preview
- BPM
- 170
- Half-time
- 85
- Open Key
- 7m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 3:17
- Released
- 2016
- Genre
- Drum N Bass
- Loudness
- -2.8 dB
- Dynamics
- 10.8 dB
- ISRC
- GBSXS1600085
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Cry - Nu:Tone Remixremix2B · 170
- Cry - Steve Smart Extended Mixversion2A · 118
- Cry - LAAW Remixremix2A · 100
- Cry - Control-S Remixremix2A · 128
- Cry - Friend Within Remixremix12B · 125
Cry: very fast drum n bass, E♭ minor (2A), 170 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2016 production that still circulates in sets. More underground than 99% of Sigma's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 79% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Cry in?
Cry by Sigma is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Cry?
Cry runs at 170 BPM, a very fast track.
What mixes well with Cry?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Cry good for peak time?
With energy 88 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 170 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![ラウンド・ザ・ワールド featuring Miku Hatsune (millstones "Vocaloid" Mix) [Radio Edit] by London Elektricity cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0118817d93c050b88d6a.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.