Cry - Nu:Tone Remix
30s preview
- BPM
- 170
- Half-time
- 85
- Open Key
- 7d
- Energy
- 88/100
- Pop
- 14/100
- Length
- 5:47
- Released
- 2016
- Album
- Cry (Remixes)
- Genre
- Drum N Bass
- Loudness
- -3.7 dB
- Dynamics
- 15.3 dB
- ISRC
- GBSXS1600093
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Cry - Steve Smart Extended Mixversion2A · 118
- Cry - LAAW Remixremix2A · 100
- Cry - Control-S Remixremix2A · 128
- Cryoriginal2A · 170
- Cry - Friend Within Remixremix12B · 125
Against the original (2A at 170 BPM), this version holds the same tempo and moves the key from 2A to 2B.
Cry - Nu:Tone Remix is a very fast drum n bass track in F♯ major (2B) at 170 BPM. The groove is loose and less beat-driven. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2016 production that still circulates in sets. More treble-tilted than 90% of Sigma's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 79% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Cry - Nu:Tone Remix in?
Cry - Nu:Tone Remix by Sigma is in F♯ major, or 2B on the Camelot wheel.
What BPM is Cry - Nu:Tone Remix?
Cry - Nu:Tone Remix runs at 170 BPM, a very fast track.
What mixes well with Cry - Nu:Tone Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Cry - Nu:Tone Remix good for peak time?
With energy 88 out of 100 at 170 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 170 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 160-180 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 170 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 170 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.