Feel What You Feel (original 12" mix)
30s preview
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 63/100
- Pop
- 21/100
- Length
- 5:46
- Released
- 2000
- Genre
- Drum N Bass
- Loudness
- -14.6 dB
- Dynamics
- 14.2 dB
- ISRC
- GBCCH0000298
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Feel What You Feel (original 12" mix) runs 128 BPM in G minor (6A), a peak-time tempo drum n bass record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2000 production that still circulates in sets. More bass-heavy than 96% of LTJ Bukem's catalogue.
- Reach:
- more underground than 92% of LTJ Bukem's catalogue
- Brightness:
- darker than 89% of LTJ Bukem's catalogue
- Energy:
- calmer than 78% of LTJ Bukem's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Feel What You Feel (original 12" mix) in?
Feel What You Feel (original 12" mix) by LTJ Bukem is in G minor, or 6A on the Camelot wheel.
What BPM is Feel What You Feel (original 12" mix)?
Feel What You Feel (original 12" mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Feel What You Feel (original 12" mix)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Feel What You Feel (original 12" mix) good for peak time?
With energy 63 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More drum n bass
More from LTJ Bukem
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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