Blood Sugar - Knife Party Remix
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 99/100
- Pop
- 23/100
- Length
- 4:02
- Released
- 2018
- Album
- Blood Sugar (Knife Party Remix)
- Genre
- Drum N Bass
- Loudness
- -3.6 dB
- ISRC
- UKNKE1800002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Blood Sugar - Live at Brixton Academyoriginal9B · 176
- Blood Sugar - Original Mixoriginal4B · 176
Against the original (4B at 176 BPM), this version runs 48 BPM slower and moves the key from 4B to 4A.
Blood Sugar - Knife Party Remix runs 128 BPM in F minor (4A), a peak-time tempo drum n bass record. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2018 production that still circulates in sets. Groovier than 95% of Pendulum's catalogue.
- Energy:
- hotter than 94% of Pendulum's catalogue
- Tempo:
- slower than 85% of Pendulum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Blood Sugar - Knife Party Remix in?
Blood Sugar - Knife Party Remix by Pendulum is in F minor, or 4A on the Camelot wheel.
What BPM is Blood Sugar - Knife Party Remix?
Blood Sugar - Knife Party Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Blood Sugar - Knife Party Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Blood Sugar - Knife Party Remix good for peak time?
With energy 99 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Niton [The Reason] - Original Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
![Niton [The Reason] - Instrumental Edit by Eric Prydz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/1fb459090baf872983f7.webp){kind=small}
More drum n bass
![The Island, Pt. II (Dusk) - DJ Edit [DJ Edit] by Pendulum cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0eeaef52775c9b49043e.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.