![The Island, Pt. II (Dusk) - DJ Edit [DJ Edit] by Pendulum cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0eeaef52775c9b49043e.webp)
The Island, Pt. II (Dusk) - DJ Edit [DJ Edit]
30s preview
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 94/100
- Pop
- 11/100
- Length
- 4:57
- Released
- 2010
- Album
- The Island
- Genre
- Drum N Bass
- Loudness
- -3.8 dB
- Dynamics
- 12.2 dB
- ISRC
- GBAHT1000225
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Island, Pt. II (Dusk)original8A · 126
Against the original (8A at 126 BPM), this version holds the same tempo in the same key.
The Island, Pt. II (Dusk) - DJ Edit [DJ Edit] is a club-tempo drum n bass track in A minor (8A) at 126 BPM. The feel is dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. Groovier than 94% of Pendulum's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 92% of Pendulum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is The Island, Pt. II (Dusk) - DJ Edit [DJ Edit] in?
The Island, Pt. II (Dusk) - DJ Edit [DJ Edit] by Pendulum is in A minor, or 8A on the Camelot wheel.
What BPM is The Island, Pt. II (Dusk) - DJ Edit [DJ Edit]?
The Island, Pt. II (Dusk) - DJ Edit [DJ Edit] runs at 126 BPM, a club-tempo track.
What mixes well with The Island, Pt. II (Dusk) - DJ Edit [DJ Edit]?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is The Island, Pt. II (Dusk) - DJ Edit [DJ Edit] good for peak time?
With energy 94 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Niton [The Reason] - Extended Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
![Niton [The Reason] - Instrumental Edit by Eric Prydz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/1fb459090baf872983f7.webp){kind=small}
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More drum n bass
More from Pendulum
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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