The Other Side - Live
30s preview
- BPM
- 138
- Open Key
- 8d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 5:18
- Released
- 2008
- Album
- Pendulum iTunes Live: London Festival '08 - EP
- Genre
- Drum N Bass
- Loudness
- -5.6 dB
- Dynamics
- 13.8 dB
- ISRC
- GBAHT0800418
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Other Sideoriginal4A · 138
- The Other Sideoriginal4A · 138
- The Other Side - Live at Brixton Academyoriginal4A · 138
Against the original (4A at 138 BPM), this version holds the same tempo and moves the key from 4A to 3B.
The Other Side - Live runs 138 BPM in D♭ major (3B), a driving up-tempo drum n bass record. The master keeps unusual dynamic range for club music (crest 14 dB). A 2008 production that still circulates in sets. More underground than 99% of Pendulum's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 88% of Pendulum's catalogue
- Low end:
- more treble-tilted than 76% of Pendulum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is The Other Side - Live in?
The Other Side - Live by Pendulum is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Other Side - Live?
The Other Side - Live runs at 138 BPM, a driving up-tempo track.
What mixes well with The Other Side - Live?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Other Side - Live good for peak time?
With energy 97 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 138 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More drum n bass
More from Pendulum
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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