Walkin
30s preview
- BPM
- 124
- Open Key
- 6m
- Energy
- 94/100
- Pop
- 1/100
- Length
- 3:33
- Released
- 2018
- Genre
- House
- Loudness
- -7.1 dB
- Dynamics
- 11.9 dB
- ISRC
- NLF711804823
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Walkin - S-Man Extended Mixversion11A · 124
- Walkin - Extended Mixversion1A · 124
- Walkin - S-Man Mixoriginal11A · 124
- Walkin - The Golden Boy Extended Remixremix10A · 124
- Walkin - The Golden Boy Remixremix10A · 124
A club-tempo house cut, Walkin sits in A♭ minor (1A) at 124 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Brighter than 94% of Roger Sanchez's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 86% of Roger Sanchez's catalogue
- Tempo:
- slower than 84% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Walkin in?
Walkin by Roger Sanchez is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Walkin?
Walkin runs at 124 BPM, a club-tempo track.
What mixes well with Walkin?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Walkin good for peak time?
With energy 94 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 124 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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