Keep on Jumpin (feat. Martha Wash & Jocelyn Brown) - Tee's Freeze Mix
- BPM
- 124
- Open Key
- 8d
- Energy
- 94/100
- Pop
- 6/100
- Length
- 8:55
- Released
- 2016
- Album
- Defected Presents House Masters - Todd Terry
- Genre
- House
- Loudness
- -5.8 dB
- ISRC
- USMKQ0600111
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Keep on Jumpin' - Andrea Raffa Remixremix4A · 128
- Keep on Jumpin - Project89 2017 Remixremix8B · 124
- Keep on Jumpin' - Rhythm Masters Mixoriginal8B · 125
A club-tempo house cut, Keep on Jumpin (feat. Martha Wash & Jocelyn Brown) - Tee's Freeze Mix sits in D♭ major (3B) at 124 BPM. A 2016 production that still circulates in sets. Better known than 84% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 80% of Todd Terry's catalogue
- Tempo:
- slower than 80% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Keep on Jumpin (feat. Martha Wash & Jocelyn Brown) - Tee's Freeze Mix in?
Keep on Jumpin (feat. Martha Wash & Jocelyn Brown) - Tee's Freeze Mix by Todd Terry is in D♭ major, or 3B on the Camelot wheel.
What BPM is Keep on Jumpin (feat. Martha Wash & Jocelyn Brown) - Tee's Freeze Mix?
Keep on Jumpin (feat. Martha Wash & Jocelyn Brown) - Tee's Freeze Mix runs at 124 BPM, a club-tempo track.
What mixes well with Keep on Jumpin (feat. Martha Wash & Jocelyn Brown) - Tee's Freeze Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Keep on Jumpin (feat. Martha Wash & Jocelyn Brown) - Tee's Freeze Mix good for peak time?
With energy 94 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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