Keep on Jumpin' - Andrea Raffa Remix
30s preview
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 91/100
- Pop
- 3/100
- Length
- 6:45
- Released
- 2015
- Album
- Keep on Jumpin' (Andrea Raffa Remix)
- Genre
- House
- Loudness
- -4.1 dB
- Dynamics
- 10.4 dB
- ISRC
- USMKQ1500076
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Keep on Jumpin (feat. Martha Wash & Jocelyn Brown) - Tee's Freeze Mixoriginal3B · 124
- Keep on Jumpin - Project89 2017 Remixremix8B · 124
- Keep on Jumpin' - Rhythm Masters Mixoriginal8B · 125
Against the original (3B at 124 BPM), this version runs 4 BPM faster and moves the key from 3B to 4A.
Keep on Jumpin' - Andrea Raffa Remix runs 128 BPM in F minor (4A), a peak-time tempo house record. The feel is bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Faster than 93% of Todd Terry's catalogue.
- Brightness:
- brighter than 80% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Keep on Jumpin' - Andrea Raffa Remix in?
Keep on Jumpin' - Andrea Raffa Remix by Todd Terry is in F minor, or 4A on the Camelot wheel.
What BPM is Keep on Jumpin' - Andrea Raffa Remix?
Keep on Jumpin' - Andrea Raffa Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Keep on Jumpin' - Andrea Raffa Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Keep on Jumpin' - Andrea Raffa Remix good for peak time?
With energy 91 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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