Desire (What I Want) [Groove Technicians Remix Edit] by Todd Terry cover art

Desire (What I Want) [Groove Technicians Remix Edit]

Todd Terry

30s preview

Key
10A · B minor
BPM
124
Open Key
3m
Energy
96/100
Pop
0/100
Length
3:33
Released
2018
Album
Desire (What I Want) [Groove Technicians Remix]
Genre
House
Loudness
-6.6 dB
Dynamics
12.4 dB
ISRC
USMKQ1800005

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10A at 121 BPM), this version runs 3 BPM faster in the same key.

At 124 BPM in B minor (10A), Desire (What I Want) [Groove Technicians Remix Edit] is a club-tempo house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 94% of Todd Terry's catalogue
Energy:
hotter than 88% of Todd Terry's catalogue
Tempo:
slower than 80% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood45Balanced
Groove67
Acoustic0
Instrumental92
Live12
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Desire (What I Want) [Groove Technicians Remix Edit] in?

Desire (What I Want) [Groove Technicians Remix Edit] by Todd Terry is in B minor, or 10A on the Camelot wheel.

What BPM is Desire (What I Want) [Groove Technicians Remix Edit]?

Desire (What I Want) [Groove Technicians Remix Edit] runs at 124 BPM, a club-tempo track.

What mixes well with Desire (What I Want) [Groove Technicians Remix Edit]?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Desire (What I Want) [Groove Technicians Remix Edit] good for peak time?

With energy 96 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 124 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More house

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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