Can You Feel It - Montel Radio Edit
30s preview
- Key
- 8A · A minor
- BPM
- 124
- Open Key
- 1m
- Energy
- 96/100
- Pop
- 14/100
- Length
- 3:22
- Released
- 2017
- Album
- Can You Feel It
- Genre
- House
- Loudness
- -7.9 dB
- Dynamics
- 9.0 dB
- ISRC
- GBJAJ1701368
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Can You Feel It - Montel Remixremix8A · 124
Can You Feel It - Montel Radio Edit: club-tempo house, A minor (8A), 124 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Better known than 91% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 90% of Todd Terry's catalogue
- Energy:
- hotter than 88% of Todd Terry's catalogue
- Groove:
- less groove-driven than 84% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Can You Feel It - Montel Radio Edit in?
Can You Feel It - Montel Radio Edit by Todd Terry is in A minor, or 8A on the Camelot wheel.
What BPM is Can You Feel It - Montel Radio Edit?
Can You Feel It - Montel Radio Edit runs at 124 BPM, a club-tempo track.
What mixes well with Can You Feel It - Montel Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Can You Feel It - Montel Radio Edit good for peak time?
With energy 96 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
![Desire (What I Want) [Groove Technicians Remix Edit] by Todd Terry cover art](https://i.scdn.co/image/ab67616d00001e0241e3302a4f1c53cebe0afc56){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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