No Time For Hulk - Camelphat Re-Fix - (Erik Hagleton 2018 Vocal Edit) - Radio Edit by CamelPhat cover art

No Time For Hulk - Camelphat Re-Fix - (Erik Hagleton 2018 Vocal Edit) - Radio Edit

CamelPhat

30s preview

Key
10B · D major
BPM
124
Open Key
3d
Energy
97/100
Pop
0/100
Length
3:29
Released
2018
Album
No Time For Hulk [Camelphat Re-Fix - (Erik Hagleton 2018 Vocal Edit)]
Genre
House
Loudness
-7.8 dB
Dynamics
12.7 dB
ISRC
GBHAD1700522

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

No Time For Hulk - Camelphat Re-Fix - (Erik Hagleton 2018 Vocal Edit) - Radio Edit is a club-tempo house track in D major (10B) at 124 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. More underground than 99% of CamelPhat's catalogue.

Energy:
hotter than 96% of CamelPhat's catalogue
Low end:
more treble-tilted than 80% of CamelPhat's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood40Balanced
Groove70
Acoustic1
Instrumental95
Live18
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is No Time For Hulk - Camelphat Re-Fix - (Erik Hagleton 2018 Vocal Edit) - Radio Edit in?

No Time For Hulk - Camelphat Re-Fix - (Erik Hagleton 2018 Vocal Edit) - Radio Edit by CamelPhat is in D major, or 10B on the Camelot wheel.

What BPM is No Time For Hulk - Camelphat Re-Fix - (Erik Hagleton 2018 Vocal Edit) - Radio Edit?

No Time For Hulk - Camelphat Re-Fix - (Erik Hagleton 2018 Vocal Edit) - Radio Edit runs at 124 BPM, a club-tempo track.

What mixes well with No Time For Hulk - Camelphat Re-Fix - (Erik Hagleton 2018 Vocal Edit) - Radio Edit?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is No Time For Hulk - Camelphat Re-Fix - (Erik Hagleton 2018 Vocal Edit) - Radio Edit good for peak time?

With energy 97 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More house

More from CamelPhat

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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