Rodman by Anthony Attalla cover art

30s preview

Key
11A · F♯ minor
BPM
124
Open Key
4m
Energy
99/100
Pop
0/100
Length
6:52
Released
2019
Genre
Tech House
Loudness
-7.0 dB
Dynamics
10.1 dB
ISRC
UKCP61900012

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 124 BPM in F♯ minor (11A), Rodman is a club-tempo tech house production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Anthony Attalla's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 98% of Anthony Attalla's catalogue
Brightness:
brighter than 96% of Anthony Attalla's catalogue
Tempo:
slower than 87% of Anthony Attalla's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood89Bright
Groove80
Acoustic0
Instrumental90
Live46
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Rodman in?

Rodman by Anthony Attalla is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Rodman?

Rodman runs at 124 BPM, a club-tempo track.

What mixes well with Rodman?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Rodman good for peak time?

With energy 99 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#Track

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 124 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More tech house

More from Anthony Attalla

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track