This Is Not a Simulation by Mochakk cover art

This Is Not a Simulation

Mochakk

Key
11B · A major
BPM
128
Open Key
4d
Energy
42/100
Pop
16/100
Length
7:00
Released
2020
Genre
Tech House
Loudness
-8.6 dB
ISRC
US83Z2025830

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

This Is Not a Simulation is a peak-time tempo tech house track in A major (11B) at 128 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Calmer than 96% of Mochakk's catalogue. For programming, treat it as a warm-up or breakdown cut.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy42
Mood47Balanced
Groove85
Acoustic0
Instrumental7
Live11
Speech11

Frequency spectrum

amplitude · bass → treble

FAQ

What key is This Is Not a Simulation in?

This Is Not a Simulation by Mochakk is in A major, or 11B on the Camelot wheel.

What BPM is This Is Not a Simulation?

This Is Not a Simulation runs at 128 BPM, a peak-time tempo track.

What mixes well with This Is Not a Simulation?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is This Is Not a Simulation good for peak time?

With energy 42 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 128 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

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#TrackKey·BPM

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Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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