This Is Not a Simulation - Cesar Nardini - Cesar Nardini Remix
- BPM
- 128
- Open Key
- 3m
- Energy
- 67/100
- Pop
- 10/100
- Length
- 5:28
- Released
- 2021
- Album
- Simulation Reloaded
- Genre
- Tech House
- Loudness
- -7.3 dB
- ISRC
- US83Z2139816
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Is Not a Simulation - Sterium - Sterium Remixremix3B · 124
- This Is Not a Simulation - Mochakk - Mochakk Remixremix11B · 128
- This Is Not a Simulationoriginal11B · 128
- This Is Not a Simulation - Malive - Malive Remixremix2A · 126
- This Is Not a Simulation - Jay Mariani - Jay Mariani Remixremix8B · 130
Against the original (11B at 128 BPM), this version holds the same tempo and moves the key from 11B to 10A.
A peak-time tempo tech house cut, This Is Not a Simulation - Cesar Nardini - Cesar Nardini Remix sits in B minor (10A) at 128 BPM. The feel is bright and euphoric. Brighter than 93% of Mochakk's catalogue.
- Reach:
- more underground than 83% of Mochakk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is This Is Not a Simulation - Cesar Nardini - Cesar Nardini Remix in?
This Is Not a Simulation - Cesar Nardini - Cesar Nardini Remix by Mochakk is in B minor, or 10A on the Camelot wheel.
What BPM is This Is Not a Simulation - Cesar Nardini - Cesar Nardini Remix?
This Is Not a Simulation - Cesar Nardini - Cesar Nardini Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with This Is Not a Simulation - Cesar Nardini - Cesar Nardini Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is This Is Not a Simulation - Cesar Nardini - Cesar Nardini Remix good for peak time?
With energy 67 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Mochakk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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