This Is Not a Simulation - Malive - Malive Remix
30s preview
- BPM
- 126
- Open Key
- 7m
- Energy
- 89/100
- Pop
- 11/100
- Length
- 4:34
- Released
- 2021
- Album
- Simulation Reloaded
- Genre
- Tech House
- Loudness
- -8.5 dB
- Dynamics
- 10.0 dB
- ISRC
- US83Z2139815
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Is Not a Simulation - Sterium - Sterium Remixremix3B · 124
- This Is Not a Simulation - Mochakk - Mochakk Remixremix11B · 128
- This Is Not a Simulationoriginal11B · 128
- This Is Not a Simulation - Cesar Nardini - Cesar Nardini Remixremix10A · 128
- This Is Not a Simulation - Jay Mariani - Jay Mariani Remixremix8B · 130
Against the original (11B at 128 BPM), this version runs 2 BPM slower and moves the key from 11B to 2A.
This Is Not a Simulation - Malive - Malive Remix is a club-tempo tech house track in E♭ minor (2A) at 126 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 97% of Mochakk's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 93% of Mochakk's catalogue
- Reach:
- more underground than 78% of Mochakk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is This Is Not a Simulation - Malive - Malive Remix in?
This Is Not a Simulation - Malive - Malive Remix by Mochakk is in E♭ minor, or 2A on the Camelot wheel.
What BPM is This Is Not a Simulation - Malive - Malive Remix?
This Is Not a Simulation - Malive - Malive Remix runs at 126 BPM, a club-tempo track.
What mixes well with This Is Not a Simulation - Malive - Malive Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is This Is Not a Simulation - Malive - Malive Remix good for peak time?
With energy 89 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 126 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Mochakk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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