Oblivion (Original) by Kerri Chandler cover art

Oblivion (Original)

Kerri Chandler

Key
5B · E♭ major
BPM
126
Open Key
10d
Energy
90/100
Pop
0/100
Length
8:58
Released
2006
Genre
Deep House
Loudness
-6.7 dB
ISRC
GBCPZ0601559

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Oblivion (Original): club-tempo deep house, E♭ major (5B), 126 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2006 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 80% of Kerri Chandler's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood64Balanced
Groove81
Acoustic0
Instrumental92
Live13
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Oblivion (Original) in?

Oblivion (Original) by Kerri Chandler is in E♭ major, or 5B on the Camelot wheel.

What BPM is Oblivion (Original)?

Oblivion (Original) runs at 126 BPM, a club-tempo track.

What mixes well with Oblivion (Original)?

From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.

Is Oblivion (Original) good for peak time?

With energy 90 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

5B4B · 6B · 5A

From 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.

Every move from 5B

6BSimple Mix Upper
4BSimple Mix Downer
5ATonal Shift·
6ADiagonal Mix Upper
4ADiagonal Mix Downer
8ACompatible Tone·
7BHigh Energy Boost▲▲▲
3BHigh Energy Drain▼▼▼
8BParallel Key Upper▲▲
2BParallel Key Downer▼▼
12BTritone Jump▲▲
9BRelated Keyrisky

How to mix it

In 5B at 126 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More deep house

#TrackKey·BPM

More from Kerri Chandler

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.