Nothing But My Story
30s preview
- BPM
- 128
- Open Key
- 7d
- Energy
- 44/100
- Pop
- 7/100
- Length
- 2:36
- Released
- 2021
- Genre
- Deep House
- Loudness
- -13.3 dB
- Dynamics
- 17.2 dB
- ISRC
- DEEC31810298
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in F♯ major (2B), Nothing But My Story is a peak-time tempo deep house production. The feel is balanced in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Less groove-driven than 99% of Jimi Jules's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 97% of Jimi Jules's catalogue
- Energy:
- calmer than 95% of Jimi Jules's catalogue
- Tempo:
- faster than 94% of Jimi Jules's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Nothing But My Story in?
Nothing But My Story by Jimi Jules is in F♯ major, or 2B on the Camelot wheel.
What BPM is Nothing But My Story?
Nothing But My Story runs at 128 BPM, a peak-time tempo track.
What mixes well with Nothing But My Story?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Nothing But My Story good for peak time?
With energy 44 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More deep house
More from Jimi Jules
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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