Affair - Extended Remix 2.5
30s preview
- BPM
- 125
- Open Key
- 6m
- Energy
- 99/100
- Pop
- 3/100
- Length
- 7:46
- Released
- 2024
- Album
- Affair (Remix 2.5)
- Genre
- House
- Loudness
- -7.0 dB
- Dynamics
- 12.7 dB
- ISRC
- USMKQ2400006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Affair - Remix 2.5remix1A · 125
At 125 BPM in A♭ minor (1A), Affair - Extended Remix 2.5 is a club-tempo house production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 99% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 95% of Todd Terry's catalogue
- Low end:
- more treble-tilted than 90% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Affair - Extended Remix 2.5 in?
Affair - Extended Remix 2.5 by Todd Terry is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Affair - Extended Remix 2.5?
Affair - Extended Remix 2.5 runs at 125 BPM, a club-tempo track.
What mixes well with Affair - Extended Remix 2.5?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Affair - Extended Remix 2.5 good for peak time?
With energy 99 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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