Get Freaky
30s preview
- BPM
- 125
- Open Key
- 5d
- Energy
- 99/100
- Pop
- 1/100
- Length
- 4:54
- Released
- 2020
- Genre
- House
- Loudness
- -3.8 dB
- Dynamics
- 12.3 dB
- ISRC
- GBJAJ2002045
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in E major (12B), Get Freaky is a club-tempo house production. The feel is bright and euphoric. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 98% of Todd Terry's catalogue.
- Low end:
- more treble-tilted than 96% of Todd Terry's catalogue
- Brightness:
- brighter than 89% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Get Freaky in?
Get Freaky by Todd Terry is in E major, or 12B on the Camelot wheel.
What BPM is Get Freaky?
Get Freaky runs at 125 BPM, a club-tempo track.
What mixes well with Get Freaky?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Get Freaky good for peak time?
With energy 99 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 125 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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