Something Going On - Sonny Wharton Remix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 100/100
- Pop
- 3/100
- Length
- 7:10
- Released
- 2018
- Album
- Something's Going On (Sonny Wharton Remix)
- Genre
- House
- Loudness
- -5.0 dB
- Dynamics
- 12.7 dB
- ISRC
- CA7C61800136
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Something Going On (feat. Martha Wash & Jocelyn Brown)original10A · 128
- Something Going On - K & K Remixremix3A · 125
- Something Going On - Sonny Wharton Radio Editversion3A · 125
- Something Going On - K & K Editversion3A · 125
- Something Going On - Newskool to the Oldskool Remixremix2B · 122
Against the original (10A at 128 BPM), this version runs 3 BPM slower and moves the key from 10A to 3A.
Something Going On - Sonny Wharton Remix is a club-tempo house track in B♭ minor (3A) at 125 BPM. Tonally it lands bright and euphoric. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Hotter than 99% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 98% of Todd Terry's catalogue
- Groove:
- less groove-driven than 92% of Todd Terry's catalogue
- Brightness:
- brighter than 88% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Something Going On - Sonny Wharton Remix in?
Something Going On - Sonny Wharton Remix by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Something Going On - Sonny Wharton Remix?
Something Going On - Sonny Wharton Remix runs at 125 BPM, a club-tempo track.
What mixes well with Something Going On - Sonny Wharton Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Something Going On - Sonny Wharton Remix good for peak time?
With energy 100 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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