Something Going On (feat. Martha Wash & Jocelyn Brown)
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 88/100
- Pop
- 18/100
- Length
- 6:49
- Released
- 2016
- Album
- Defected Presents House Masters - Todd Terry
- Genre
- House
- Loudness
- -7.6 dB
- Dynamics
- 12.9 dB
- ISRC
- US92E0610479
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Something Going On - K & K Remixremix3A · 125
- Something Going On - Sonny Wharton Radio Editversion3A · 125
- Something Going On - K & K Editversion3A · 125
- Something Going On - Sonny Wharton Remixremix3A · 125
- Something Going On - Newskool to the Oldskool Remixremix2B · 122
Something Going On (feat. Martha Wash & Jocelyn Brown) runs 128 BPM in B minor (10A), a peak-time tempo house record. The feel is bright and euphoric. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Better known than 94% of Todd Terry's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 93% of Todd Terry's catalogue
- Groove:
- less groove-driven than 90% of Todd Terry's catalogue
- Low end:
- more treble-tilted than 82% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Something Going On (feat. Martha Wash & Jocelyn Brown) in?
Something Going On (feat. Martha Wash & Jocelyn Brown) by Todd Terry is in B minor, or 10A on the Camelot wheel.
What BPM is Something Going On (feat. Martha Wash & Jocelyn Brown)?
Something Going On (feat. Martha Wash & Jocelyn Brown) runs at 128 BPM, a peak-time tempo track.
What mixes well with Something Going On (feat. Martha Wash & Jocelyn Brown)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Something Going On (feat. Martha Wash & Jocelyn Brown) good for peak time?
With energy 88 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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