Vocal Chords by Claude VonStroke cover art

Vocal Chords

Claude VonStroke

Key
6A · G minor
BPM
126
Open Key
11m
Energy
87/100
Pop
0/100
Length
7:11
Released
2009
Genre
Tech House
Loudness
-3.1 dB
ISRC
US75Z1001114

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Vocal Chords is a club-tempo tech house track in G minor (6A) at 126 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The master is loud and heavily compressed. A 2009 production that still circulates in sets. More underground than 99% of Claude VonStroke's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 82% of Claude VonStroke's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood39Balanced
Groove81
Acoustic0
Instrumental60
Live7
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Vocal Chords in?

Vocal Chords by Claude VonStroke is in G minor, or 6A on the Camelot wheel.

What BPM is Vocal Chords?

Vocal Chords runs at 126 BPM, a club-tempo track.

What mixes well with Vocal Chords?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Vocal Chords good for peak time?

With energy 87 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 126 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

More from Claude VonStroke

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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