This Feeling (feat. Julie McKnight) - Radio Edit
30s preview
- Key
- 4A · F minor
- BPM
- 126
- Open Key
- 9m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 2:55
- Released
- 2018
- Album
- This Feeling (feat. Julie McKnight)
- Genre
- House
- Loudness
- -4.5 dB
- Dynamics
- 11.1 dB
- ISRC
- GBDVG1891803
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Feeling (feat. Julie McKnight) (Low Steppa Remix)remix6A · 125
- This Feeling (feat. Julie McKnight) (Redford (NL) Dub)version4A · 124
- This Feeling (feat. Julie McKnight) (Junior Sanchez Dub)version3A · 126
- This Feeling (feat. Julie McKnight)original9B · 126
- This Feeling (feat. Julie McKnight) - Dubversion4A · 126
Against the original (9B at 126 BPM), this version holds the same tempo and moves the key from 9B to 4A.
This Feeling (feat. Julie McKnight) - Radio Edit is a club-tempo house track in F minor (4A) at 126 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. More underground than 99% of Roger Sanchez's catalogue.
- Energy:
- hotter than 97% of Roger Sanchez's catalogue
- Groove:
- less groove-driven than 89% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is This Feeling (feat. Julie McKnight) - Radio Edit in?
This Feeling (feat. Julie McKnight) - Radio Edit by Roger Sanchez is in F minor, or 4A on the Camelot wheel.
What BPM is This Feeling (feat. Julie McKnight) - Radio Edit?
This Feeling (feat. Julie McKnight) - Radio Edit runs at 126 BPM, a club-tempo track.
What mixes well with This Feeling (feat. Julie McKnight) - Radio Edit?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is This Feeling (feat. Julie McKnight) - Radio Edit good for peak time?
With energy 98 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 126 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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