
Prayer - Instrumental Feel Mix
30s preview
- BPM
- 125
- Open Key
- 5d
- Energy
- 87/100
- Pop
- 0/100
- Length
- 7:06
- Released
- 2021
- Album
- Prayer
- Genre
- Deep House
- Loudness
- -7.4 dB
- Dynamics
- 12.0 dB
- ISRC
- GBKQU2184670
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Prayer - 623 Again Vocal Mixoriginal10A · 125
- Prayer - Vocal Mixoriginal8A · 122
- Prayer - Media Mixoriginal9B · 125
- Prayer - Instrumentaloriginal8A · 122
- Prayer - Feel Mixoriginal12B · 125
- Prayer - Instrumental Media Mixoriginal9B · 125
Against the original (10A at 125 BPM), this version holds the same tempo and moves the key from 10A to 12B.
A club-tempo deep house cut, Prayer - Instrumental Feel Mix sits in E major (12B) at 125 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 94% of Kerri Chandler's catalogue
- Low end:
- more treble-tilted than 79% of Kerri Chandler's catalogue
- Groove:
- groovier than 75% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Prayer - Instrumental Feel Mix in?
Prayer - Instrumental Feel Mix by Kerri Chandler is in E major, or 12B on the Camelot wheel.
What BPM is Prayer - Instrumental Feel Mix?
Prayer - Instrumental Feel Mix runs at 125 BPM, a club-tempo track.
What mixes well with Prayer - Instrumental Feel Mix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Prayer - Instrumental Feel Mix good for peak time?
With energy 87 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 125 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
More from Kerri Chandler
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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