Drunk - Gene Farris Remix
30s preview
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 88/100
- Pop
- 0/100
- Length
- 6:51
- Released
- 2017
- Album
- Drunk
- Genre
- House
- Loudness
- -8.9 dB
- Dynamics
- 14.5 dB
- ISRC
- USA671700240
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in C major (8B), Drunk - Gene Farris Remix is a club-tempo house production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). A 2017 production that still circulates in sets. More underground than 99% of Gene Farris's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 99% of Gene Farris's catalogue
- Brightness:
- brighter than 85% of Gene Farris's catalogue
- Groove:
- groovier than 79% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Drunk - Gene Farris Remix in?
Drunk - Gene Farris Remix by Gene Farris is in C major, or 8B on the Camelot wheel.
What BPM is Drunk - Gene Farris Remix?
Drunk - Gene Farris Remix runs at 125 BPM, a club-tempo track.
What mixes well with Drunk - Gene Farris Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Drunk - Gene Farris Remix good for peak time?
With energy 88 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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