Give It All You Got
- Key
- 5A · C minor
- BPM
- 125
- Open Key
- 10m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 5:09
- Released
- 2019
- Genre
- House
- Loudness
- -5.7 dB
- ISRC
- GBPQS1900101
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Give It All You Got runs 125 BPM in C minor (5A), a club-tempo house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. More underground than 99% of Kevin McKay's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 78% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Give It All You Got in?
Give It All You Got by Kevin McKay is in C minor, or 5A on the Camelot wheel.
What BPM is Give It All You Got?
Give It All You Got runs at 125 BPM, a club-tempo track.
What mixes well with Give It All You Got?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Give It All You Got good for peak time?
With energy 88 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 125 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Kevin McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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