Alma Roja - Oba's 305 Drum Attack Mix
30s preview
- BPM
- 120
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 3:28
- Released
- 2020
- Album
- Alma Roja
- Genre
- House
- Loudness
- -5.4 dB
- Dynamics
- 13.7 dB
- ISRC
- GBKQU2032607
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Alma Roja - DJ Chus Remixremix3A · 125
- Alma Rojaoriginal9A · 120
- Alma Roja - Dub Mixversion10A · 120
At 120 BPM in B minor (10A), Alma Roja - Oba's 305 Drum Attack Mix is a club-tempo house production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 99% of Roger Sanchez's catalogue. For programming, treat it as a floor-filler.
- Reach:
- more underground than 99% of Roger Sanchez's catalogue
- Groove:
- groovier than 90% of Roger Sanchez's catalogue
- Energy:
- hotter than 89% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Alma Roja - Oba's 305 Drum Attack Mix in?
Alma Roja - Oba's 305 Drum Attack Mix by Roger Sanchez is in B minor, or 10A on the Camelot wheel.
What BPM is Alma Roja - Oba's 305 Drum Attack Mix?
Alma Roja - Oba's 305 Drum Attack Mix runs at 120 BPM, a club-tempo track.
What mixes well with Alma Roja - Oba's 305 Drum Attack Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Alma Roja - Oba's 305 Drum Attack Mix good for peak time?
With energy 96 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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