I Wanna Be Your Lover - 6:23 Yah Bonus Beats
30s preview
- BPM
- 120
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 3:46
- Released
- 1993
- Album
- I Wanna Be Your Lover
- Genre
- Deep House
- Loudness
- -10.2 dB
- Dynamics
- 22.0 dB
- ISRC
- USA671000244
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Wanna Be Your Lover - Busted 6:23 Club Mixversion5A · 120
- I Wanna Be Your Lover - 6:23 Sympsychotic Dubversion5A · 120
A club-tempo deep house cut, I Wanna Be Your Lover - 6:23 Yah Bonus Beats sits in B minor (10A) at 120 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 22 dB). A 1993 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 97% of Kerri Chandler's catalogue
- Low end:
- more treble-tilted than 97% of Kerri Chandler's catalogue
- Energy:
- hotter than 92% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 23%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 30%
- High
- 2.5-11 kHz
FAQ
What key is I Wanna Be Your Lover - 6:23 Yah Bonus Beats in?
I Wanna Be Your Lover - 6:23 Yah Bonus Beats by Kerri Chandler is in B minor, or 10A on the Camelot wheel.
What BPM is I Wanna Be Your Lover - 6:23 Yah Bonus Beats?
I Wanna Be Your Lover - 6:23 Yah Bonus Beats runs at 120 BPM, a club-tempo track.
What mixes well with I Wanna Be Your Lover - 6:23 Yah Bonus Beats?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is I Wanna Be Your Lover - 6:23 Yah Bonus Beats good for peak time?
With energy 94 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.