I Wanna Be Your Lover - 6:23 Sympsychotic Dub
30s preview
- Key
- 5A · C minor
- BPM
- 120
- Open Key
- 10m
- Energy
- 87/100
- Pop
- 1/100
- Length
- 5:39
- Released
- 1993
- Album
- I Wanna Be Your Lover
- Genre
- Deep House
- Loudness
- -7.6 dB
- Dynamics
- 19.4 dB
- ISRC
- USA671000243
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Wanna Be Your Lover - Busted 6:23 Club Mixversion5A · 120
- I Wanna Be Your Lover - 6:23 Yah Bonus Beatsoriginal10A · 120
Against the original (10A at 120 BPM), this version holds the same tempo and moves the key from 10A to 5A.
I Wanna Be Your Lover - 6:23 Sympsychotic Dub is a club-tempo deep house track in C minor (5A) at 120 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 19 dB). A 1993 production that still circulates in sets. Slower than 97% of Kerri Chandler's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more treble-tilted than 97% of Kerri Chandler's catalogue
- Groove:
- less groove-driven than 89% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 24%
- High
- 2.5-11 kHz
FAQ
What key is I Wanna Be Your Lover - 6:23 Sympsychotic Dub in?
I Wanna Be Your Lover - 6:23 Sympsychotic Dub by Kerri Chandler is in C minor, or 5A on the Camelot wheel.
What BPM is I Wanna Be Your Lover - 6:23 Sympsychotic Dub?
I Wanna Be Your Lover - 6:23 Sympsychotic Dub runs at 120 BPM, a club-tempo track.
What mixes well with I Wanna Be Your Lover - 6:23 Sympsychotic Dub?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is I Wanna Be Your Lover - 6:23 Sympsychotic Dub good for peak time?
With energy 87 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 120 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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